Journal of Bengal Art Volume 26
Vol. 26, 2021: 767 Pages, Plates 482 B/W and Color 143; Size 11" x 9"; Tk. 5000/ US $ 100
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Bulbul Ahmed |
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Tekttha, Paschim Raghunathpur: Hitherto Unknown Early Historic Site in Naogaon District of Bangladesh |
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Gerald Kozicz |
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The Buddha, the Temple and the Tree: Observations and Notes on the “RāmmālaStele” |
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Mohammad Yusuf Siddiq |
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Geography, Religion and Social Life of Bengal as Reflected in Some Inscriptions. |
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Kees Rookmaaker and John Edwards |
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The Rhinoceros on Terracotta Temples andin Jungles of West Bengal and Bangladesh |
| Ursula Bickelmann | : | The Portuguese Legacy Over the Bengali Cultural Heritage |
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Krishnendu Ray |
: | Writing the Material Life of the People of Early Historic Bengal from Sculptures as Texts1(up to c. 4-5thCenturies CE) |
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Joachim K. Bautze |
: | Calcutta, the Duke of Edinburgh, Sawai Ram Singh of Jaipur and T. Murray |
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Heinrich Poell |
: | The Dharmarajika Stele Revisited |
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Gerd J.R. Mevissen |
: | A Nepalese Metal Image of the Pañcarakṣā Goddess Mahāmāyūrī in the Bangladesh National Museum |
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Md. Rifat-Ur-Rahman |
: | Tracing the Archaeological Notions of Birat Raja’s Dhibi in Sirajganj, Bangladesh through Systematic Archaeological Exploration |
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K. Mavali Rajan and Binay Barman |
: | Facets of Saivism in the Kamata-Kuchbehar Region of North Bengal |
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Rob Linrothe |
: | The Human Sphere: Comparative Analysis of Sponsor Images in the Jaina Caves of Ellora |
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Dhriti Ray |
: | Representation of Lions in Indian Monumental Architecture |
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Priyanka Tamta and Sukanya Sharma |
: | Surya Sculptures in Kamakhya: A Glimpse of Artistic Evolution of Surya Sculpture in Assam |
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Rangan Kanti Jana |
: | Some Early Medieval Vishnu Images from Purba Bardhaman, West Bengal |
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Swati Ray, Arkaprava Sarkar and Rupendra Kumar Chattopadhyay |
: | Architectural Thoughts within Archaeology: A Case Study of the 19th Century Indian Subcontinent |
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Gourav Debnath |
: | Rethinking the Antiquity of Mahiṣamardinī in Bengal in the Light of a Recent Archaeological Discovery |
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Janice Leoshko |
: | Starting with “The World’s Debt to Buddha” |
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Shubha Majumder |
: | A Unique Dvitīrthī Jaina Image from Ramkrishna Mission Vidyapith Museum, Purulia, West Bengal |
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Ridita Tasmin |
: | Documentation of Motifs on Manipuri Sari of Bangladesh: A Preliminary Study |
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Maliha Nargis Ahmed and Azmaree Afrin |
: | A Preliminary Study of Two Mosques of Gobindaganj Upazila, Gaibandha District |
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Mahua Chakrabarti |
: | Traditional Cuisine of Bengal – The Living Material Culture and Its Changes and Associations through the Ages |
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Rohini Kar |
: | Kārtikkeya and the Fertility Cult of Bengal |
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Shilpi Dutta Maulik |
: | The Vehicles of Nine Planetary Deities Depicted on Selected Stone Sculptures in Bengal and Bihar |
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Baba Mishra,Sakir Hussain and Rajesh Mohanty |
: | Semi - Precious Stone Beads of Budhigarh, Odisha: An Archaeological Encounter |
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Sunil Kumar Patnaik and Sarita Nayak |
: | Archaeology of Aragarh: An Early Historical Buddhist Site |
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Subrata Kumar Acharya and Sasanka Sekhar Panda |
: | Teresingha Plates of Bhānurāja, Year 3 |
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Debarati Ganguly |
: | Vanguards of Indian Nationalism: Rupam and the Idea of ‘Greater India’; Tale of Inter-connections and Making of a Cultural Vision |
| Noor Banu Sattar | : | Women Donors of Brahmanical Images: A Glimpse from the Image Inscriptions of the Pre-Pala and Pala rulers of Bengal and Bihar |
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Ranjusri Ghosh |
: | Trailokyavijayā: An Unseen Buddhist Goddess of Bihar |
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Jinah Kim |
: | Lost Books in People’s Hands: Looking for Illustrated Buddhist Manuscripts of Odisha in Stone |
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Andria Loseries |
: | Simhamukhā and Durgā: Two Indic Tantric Mother Goddesses |
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Mahboob Alam |
: | The Artist Who Introduced Modern Bengal to the West |
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Jalaj Kumar Tiwari |
: | Lakulisa in the Art of Bihar: Some Observations |
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Ramadevi Shekhor |
: | Chola-Ganga- Dynasty Anantavarman Choda Gangadeva (1077-1147 CE.) |
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Priyanku Chakraborty and Kumkum Bandyopadhyay |
: | Buddhist Metal Images from Tripura |
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Nicolas Revire and Rajat Sanyal |
: | Three Inscribed Early Medieval Images from Bihar: New Evidence on the Identity of Tentadīgrāma as Tetrawan |
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Abu Bakkar Siddique |
: | Rajmahal Jami Mosque: An Intermixture of Architectural Style in Mughal Bengal |
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Suchandra Ghosh |
: | Situating theNauvyāvahārajīvins and Kaivarttasin the Rural Settlements of Early Medieval Assam |
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Rudra Prosad Samaddar |
: | Some New Information of Samataṭa/Dhaka Copperplate Inscription of Vainyagupta, Gupta Era 184 (504 AD) |
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Sharmin Rezwana and Chand Sultana Ratna |
: | An Unpublished and Newly Found Arya-Ashtamahabhaya-Tara from Varendra Research Museum: The Iconographic Study |
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Md. Abdur Rob |
: | Benevolent Activities in the Light of the Inscriptions of Sultanate Bengal |
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S M Saiful Islam |
: | Emperor Bahadur Shah Zafar’s Last Two Years in Delhi, Exile in Rangoon and Death: A Tragic History (1857-1862 AD) |
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Sreyashi Ray Chowdhuri |
: | Purnakalasa in the Art of Sarnath: An Attempt at Religio-Aesthetic Analysis |
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Mohammad Niamul Huda, Md. Mahmudul Hasan Khan and Md. Sadequzzaman |
: | Tentatively Listed Two Promising UNESCO World Heritage Sites of Bangladesh:Some Observations and Prospects ofthe Present Heritage Management Scenario |
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Sudipa Ray Bandyopadhyay |
: | Silk Banner: An Important Commodity of Buddhist Ritualistic Art |
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Muhammed Shohrab Uddin and Most. Taslima Akter |
: | Representation of Kinnara-Kinnari on Terracotta Plaques of Bangladesh (4th to 12th Century AD) |
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Elora Tribedy |
: | Sinless’s Piety: A Recently Recovered Inscribed Vajratārā Maṇḍala from Pachna Hill, Bihar |
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Tahmidun Nabi and Nusrat Jahan Kanan |
: | Parṇaśavarī Images Discovered in Bangladesh: A Review of Iconographic Features of this Variety of Sculpture |
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Md. Nasir Uddin (Mobin) |
: | Impact of Architectural Activities in the Socio-Religious Environment of Early Medieval Buddhist Monasteries of Bengal |
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AKM Khademul Haque |
: | Early Use of Iron in Bangladesh |